Beyonce jay z music video apeshit4/9/2024 ![]() ![]() Here, we share the fascinating art history behind the works. The works featured are not only some of the most famous in the museum, but the most important in the art historical canon. This video, however, ups the ante-not only in terms of complexity but also sophistication. In just the last couple of years, Beyoncé worked New York-based artist Awol Erizku for her internet-breaking pregnancy photo shoot, Jay-Z created a performance video, titled “Picasso Baby,” using famous art figures and celebrities at Pace Gallery, and even their 6-year-old daughter made headlines for bidding on a $19,000 Sidney Poitier painting at a Los Angeles benefit. The Carters are no strangers to the art world. Titled “Apes**t,” their latest collaboration features the power couple, along with dancers, using the famous Paris museum as the backdrop and putting their own artistry in juxtaposition with the trove of Western artworks in the collection. The representation throughout the “Apeshit” video and song is incredibly important to the black community, showcasing its current history and the future while also creating a striking example of just how successful people can be, regardless of any stereotypes targeting people of color.Leave it to Beyoncé and Jay-Z to take over the Musée du Louvre for their latest music video in a grand fashion. In the chorus of the song, Beyoncé and Jay-Z both repeat “We made it.” As one of the most beloved and successful couples in America, they have done exactly what they have said. This article offers a reading of the APESHIT music video by the duo The Carters (Beyoncé and Jay-Z) as an Afrosurrealist intervention in the White space of the Louvre. The dancers perform in synchronized choreography alongside Beyoncé, as well as posing as art themselves or swaying to the music. Her dance crew was composed of many black dancers, representing a spectrum of different skin tones. On top of the depictions of famous artwork, Beyoncé creates her own art through dance. Beyoncé redefines these huge art movements as a black woman, going against the norms that have been seen for centuries throughout history. She also notes that Beyoncé challenges the ideals of white-centric beauty, such as when the music artist models herself as the Greek statue, Venus de Milo. Beyoncé’s vision and talent is unmatched. ![]() The Instagram featured a still from Apeshit where. The music video for Apeshit, a song from Everything Is Love, their new joint album, finds Jay-Z and Beyoncé back in the Louvre, but much has changed since their visit in 2014. This moment right here is the fulfillment of my art history degree. On Friday, the 59-year-old singer felt the wrath of the BeyHive when she posted an Instagram shading Beyoncé and Jay-Z’s music video. Y’all this #Apeshit video has me losing my shit. Herrera also posted a long Twitter thread, focusing specifically on actions - such as Beyoncé posing as the Mona Lisa - and significant lyrics from the “Apeshit” song. ![]() ![]() During the interview, Herrera stresses the importance of the music video when considering the Louvre’s earlier portrayals of people of color. In a Buzzfeed interview with art history major Heidi Herrera, the interviewee explains the symbolism of “Apeshit” in depth. In fact, the only painting featuring a black woman shown in the video is the “ Portrait of a Negress.” The video then switches to different shots of the dance crew and the Carter couple wearing various costumes. Not only have the Carters created a new top hit and viral video, but they have managed to sneak historical symbolism into every nook and cranny possible in the “Apeshit” music video, fighting for people of color and telling a story all in one.īeginning with a shot of Beyoncé and Jay-Z posing in front of the world-famous Mona Lisa, the video spans to show different Neoclassical paintings, which feature predominantly white subjects. “Apeshit” spans 6 minutes and encompasses a collection of shots of famous paintings, dancing and recreations of the art itself, giving Beyoncé fans plenty to go crazy about. The video, which currently has around 20 million views (and counting), is set in the middle of one of the greatest tourist attractions in the world: the Louvre, which is home to some of the world’s most well-known art but is unfortunately still predominantly white. A few days later, the Carters dropped a new video for their song “Apeshit” - and, well, the video has everyone going apeshit. On Saturday, she dropped a surprise joint album, “Everything is Love,” with her husband Jay-Z, but she wasn’t done yet. Beyoncé has, once again, taken the world by storm. ![]()
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